Under the mass
The foot vanishes into the glow. What remains is a block, and the light that carries it.



A block of oak, held up by light.
Come closer. Turn around it.
The foot vanishes into the glow. What remains is a block, and the light that carries it.
The line turns the edge in one piece. No visible join.
A solid face, no button and no slot. Just the strength of the wood.
Le Roc is the end of a long search: for an object that is at once a beautiful thing and a warm light. A minimal drawing, a glow that is discreet yet present, and a piece that looks like nothing else. Joseph Pont signs a sumptuous piece, one that brings the warmth of wood and the calm of a simple form into your home. It is with real joy that we present this new model: a new block, a new Roc, a new light.
Solid oak, dried before machining. The foot is cut from the same block. One whole, imposing piece that warms the room. Its grain reassures, its density settles you.

A button hidden in the whole. The cable leaves under the foot, in braided linen, and nothing protrudes on any of the four faces. The LED module comes out through the foot, with no tools and no glue.

2000 K, colour rendering index above 95. The light goes down, meets the tabletop an inch or two from the block and spreads there in a soft square. The wood keeps its honey, the wine keeps its red. You never see the source: you see a lit table, and a block that the light lifts.
Two views, nine dimensions. It all comes down to three numbers: eight square, four high, and the line of light three-quarters of an inch above the tabletop.
The one height at which the light passes under the mass.
Enough for the shadow to flood the foot, little enough for the block to take a knock without shifting.
Three inches of wood above the line. That is what gives the block its impact.
Nominal dimensions, tolerance ± 0.04 in.
Cardboard packaging, wood-fibre packing: nothing to throw away, everything recyclable. Thirty days to watch it live; returns, no questions.
Solid wood on a six-inch foot: it does not move. The setback is worked out so the centre of gravity stays well over the foot, even if it gets knocked.
Almost never. It is set back three-quarters of an inch and stands in its own shadow when the lamp is off; lit, it glows under a line of light brighter than it is. That is the whole drawing: the eye stops at the line and never goes lower.
No, and that is not its job. Two hundred and sixty lumens pointed down light a tabletop, not a page. Roc is an ambient lamp: it belongs on a console, a sideboard, a coffee table.
It will: that is how it breathes. Nothing changes about the light, or about how the piece looks.
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